Friday, 15 August 2014

Final Portrait



Biography
My family originally settled in New Zealand form Scotland, Australia and England. My family name Laird comes from Scotland, where a Laird is part of the Scottish gentry. The word laird comes from the old Scottish word laverd meaning lord. The term acts more of a description for a position in society rather than a title.
I think I'm quite a reserved person, preferring to sit and listen than stand and shout. Favourite hobbies of mine include; gaming, anything from chess to video games, preferring a solitary experience to a social. I suppose I would also say I am an avid reader, and very picky with the subject matter, classical literature being among my favourite. I am a graphic design major however I find myself taking a range of subjects, in accordance with a my broad range of interests. This often results in graphic and typographic elements becoming apparent in my illustrative work, and vice versa.

Rationale
For my self-portrait I wanted to give a sense of alienation and show my reserved personality. To do this I am facing away from the viewer, disengaged, while reading a book. Whilst appearing uninterested I didn't want to give the impression that I was a hermit or completely reclusive. The book I am reading in the painting is Dale Carnegies How to Win Friends and Influence People, acts as a representation of how I tend to act in social situations, being more observant than partaking. Stylistically I wanted my painting to have a traditional aesthetic coming through with the use of texture in the brushes. The colour palette I used was based on the work of painter John Singer Sargent, overall being quite dark. This I felt suited my subject matter better than a more vibrant palette would have. The background of the painting is a typographic composition I made from the letters in my name.


Monday, 11 August 2014

Process to final

Line-work and crop for final painting, graphics need to be added to background.




flats and colour palette established

background texture and clothes mostly painted


Skin painted, although to far to dark, trying out different graphic backgrounds

Tonal values painted in, background added



Colour development

Colour palette in bottom right
This colour palette was adapted from a Singer Sargent painting. The Process to painting this will be a digital version of oil painting similar to that of Jeff Haynie Link Here. The process involves building up tone and contrast over multiple layers, periodically increasing saturation in the colours. Most of the colour palette I will be using will remain quite muted, so only the yellow light from the book will be pushed to such an extent. Which I feel relates to me as a person being quite reserved.

Saturday, 9 August 2014

Portrait development


colour and light study


secondary elements added, cup with smoke, text reflections in glasses and light from the book


Saturday, 2 August 2014

Thumbnails


Initial ideas focusing on a solitary activity. 

Artist models




I like James Jeans use of colour and broad brush-strokes add a level of depth to the character in the painting. 


Jeff Simpson, in these two paintings in particular, uses overplayed imagery and symbols. I could employ similar devices  with subtle symbolic shapes, thus giving a more personal dimension to my own portrait. Whilst still retaining a reserved nature to the overall painting.









John Singer Sargent has very visible brush-strokes adding a liveliness to his paintings. This type of technique could breath live into an otherwise sombre and very clean looking my painting.